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Circumambulating the Square

Significance Of Number 9

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Each 'sculpture' is based on a square. In the vertical works the spectator is offered a distinct number of views at the corners and faces of the wooden beam as s/he walks around this square. These distinct different aspects of each works are counted starting from the corner of the beam:

 

Numbers written in pencil count the distinct views from corners and faces continuously around the square: Starting at one corner with position 1, followed by the frontal view of a surface (2), followed by a corner view (3), and so on. When adding the positions of each side of the beam, the cross-sums of each of these sides result in a number sequence (marked in red in the diagram above), which repeats in each new round:

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1+2+3         =  6 

3+4+5        =  3 

5+6+7        =  9 

7+8+9        =  6

9+10+11      =  3

11+12+13     = 9

...

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6+3+9 itself = 9

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This sequence - 6 3 9 - only repeats if at the point of reaching the end of the first round, counting does not close the circle to return to position one, but instead extends out in a spiral-like manner into a second round - and continues with position no 9 instead

 

For the 639 sequence to repeat infinitely, counting must be continued in this spiral-like manner around the square and consequently 'up' the length of the beam. 

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The cross-sums of each  of the counted positions (marked in green) reveal that the number sequence 1, 2, 3, 4, 5, 6, 7, 8, 9 repeats infinitely as the spiral continues to grow around the square (yet this sequence itself heads inwards - 1 being further on the periphery and 9 nearing the centre of the square):

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1

2

3

4

5

6

7

8

9

10= 1+0 = 1

11 = 1+1 = 2

12= 1+2=  3

13= 1+3 = 4

14= 1+4= 5

15= 1+5 = 6

16=1+6 = 7

17=1+7  =8

18=1+8=  9

19=1+9=  1

...

 

Thus by circling the square 9 times one sequence is complete.

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It seems of relevance to note that only at one point / corner - at the original point of entry- the connection to the next round can be made. Thus one of the four corners of the square is different from the other three.

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Once these sequences had been identified on the outside of the square, they could then be extended towards the inside of the square (diagram below):

Inside the square:

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Following the sequence of the counted positions around the outside of the square, consequently on the inside position 1 is followed by 2, position 2 followed by 3 and so on. When adding each of these pairs of the first outer and the first inner round together, the cross-sums (marked in pencil) are: 3, 5, 7, 9, 11, 13, 15 - and then not followed by 17, as the sequence would suggest, but 9 (!) instead.

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The cross-sums for the two opposing sides of the diagram on

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the left               (1+8) = 9

the right            (5+4) = 9

yet:

at the top            6+7 = 4 

at the bottom     2+3 = 5

but added :         5+4 = 9

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A trinity of 9's at the centre of the square.

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And again the diagonal relationship as expressed in the values at opposing corners:

                             3+11  = 5

                             7+15 = 4

                             5+4  = 9

 

And again the cross-sums of the values along the sides is 9 :

                 11 + 13 + 15   = 9 

                 3 + 5 + 7      = 9

                  3 + 9 + 15    = 9 

                  7 + 9 + 11    = 9

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Four sides of the square

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                    4 x 9 = 36 = 9

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9 comes after 8 and before 10.

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                       10+8      = 9

                       8+9+10 = 9

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Complete numerical symmetry inside the square.

                           

                 

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A circle has got 360 degrees. Every division of the circle by half results in 9:

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                360  degrees =9

                180  degrees  =9

                90   degrees  =9

                45    degrees  =9

                22.5 degrees  =9

                11.25 degrees =9

                ...

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But how does 9 relate to π ? Early calculations / approximations for pi:

 

Nilakantha series:

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When taking the cross sums of three digits in this series the result is again the repeating 369 sequence:

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2+3+4=9

4+5+6=6

6+7+8=3

8+9+10=9

10+11+12=6

12+13+14=3

...

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Leibniz / Gregory Formula:

Leibniz' proof of this formula was found by the quadrature of the circle.

 

 

 

 

 

Again the cross-sums add up to 9:

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1+3+5      = 9

7+9+11    =9

13+15+17 =9

...

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9 links circle and square ... and seems to 'represent' growth and movement whilst ensuring complete symmetry in both, square and circle. Whereas approximations to pi -and from there patterns of 9 and 369- were found by division or the quadrature of the circle,  for the square these patterns were found by circling the square in an outwards spiralling additive manner. 

 

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(to be continued)

The diagram below magnifies the inside of the square with focus on the repeating number sequence from 1 to 9 at each corner and each side of the square. It is magnified to contain 9 numbers of these sequences on the inside of the square.

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At the centre there is now: 1, 2, 3, 4, 5, 7, but then not followed and concluded by 8 but 9 again instead.

But the cross-sum of this sequence  1+2+3+4+5+6+7+9  =  37  = 10 = 1.

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Whereas if the last digit was 8 (and thus again not closing the circle but stepping outside to continue in a spiral-like movement, the cross-sum would again be 9:                 1+2+3+4+5+6+7+8 =  36 = 9  

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